{"id":2658,"date":"2018-02-01T10:37:46","date_gmt":"2018-02-01T09:37:46","guid":{"rendered":"https:\/\/cortonamaec.org\/le-opere\/"},"modified":"2023-10-19T13:15:45","modified_gmt":"2023-10-19T11:15:45","slug":"collection","status":"publish","type":"page","link":"https:\/\/archivio.cortonamaec.org\/en\/collection\/","title":{"rendered":"Collection"},"content":{"rendered":"<h2><em>Explore our most popular masterpieces<\/em><\/h2>\n<h1>HIGHLIGHTS FROM THE COLLECTION<\/h1>\n<p>This page presents a selection of <em>symbols\u00a0<\/em>that are most representative of the Museum, our must sees. Open the icons below to see the images of our most popular masterpieces, useful to understand the MAEC Museum and the variety of objects kept at the Museum.<\/p>\n<p><a href=\"https:\/\/cortonamaec.org\/wp-content\/uploads\/2018\/02\/tabula.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-330\" src=\"https:\/\/cortonamaec.org\/wp-content\/uploads\/2018\/02\/tabula-213x300.jpg\" alt=\"Tabula Cortonensis \" width=\"213\" height=\"300\" srcset=\"https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/02\/tabula-213x300.jpg 213w, https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/02\/tabula-768x1080.jpg 768w, https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/02\/tabula-728x1024.jpg 728w, https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/02\/tabula.jpg 1138w\" sizes=\"auto, (max-width: 213px) 100vw, 213px\" \/><\/a><\/p>\n<h2><em style=\"font-size: 15px;\">3<sup>rd \u2013 <\/sup>2<sup>nd<\/sup> century BC<\/em><\/h2>\n<h1>Tabula Cortonensis<\/h1>\n<p>The <em>Tabula cortonensis<\/em> is the third longest Etruscan text, is thought to be a notarial act concerning the sale of land owned by oil merchant <em>petru sceva\u015b<\/em> and his wife <em>arntlei <\/em>to members of the <em>cusu<\/em> family. It was found in 1992 and the history of its discovery remains unclear.<\/p>\n<p>The seven bronze fragments formed a rectangular tablet (11,2 x 18 inches) bearing an inscription made with a very sharp chisel; the alphabet is the one used in the Cortona area between the end of the 3rd and the 2nd century BC.<\/p>\n<div class=\"clearfix\"><\/div>\n<p><a href=\"https:\/\/cortonamaec.org\/wp-content\/uploads\/2018\/02\/lampadario.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-337\" src=\"https:\/\/cortonamaec.org\/wp-content\/uploads\/2018\/02\/lampadario-300x298.jpg\" alt=\"Il Lampadario Etrusco\" width=\"300\" height=\"298\" srcset=\"https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/02\/lampadario-300x298.jpg 300w, https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/02\/lampadario-150x150.jpg 150w, https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/02\/lampadario-768x764.jpg 768w, https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/02\/lampadario-1024x1018.jpg 1024w, https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/02\/lampadario.jpg 1600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<h2><em style=\"font-size: 15px;\">Half 4<sup>th<\/sup> century BC<\/em><\/h2>\n<h1>The Etruscan Chandelier<\/h1>\n<p>Was found in 1840 in the countryside surrounding Cortona, in <em>Fratta <\/em>and it immediately became part of the academic collection and is one of the must see and and most significant objects in the Museum.<\/p>\n<p>The chandelier was intended for a sacred edifice and was manufactured in a workshop of central-northern Etruria, probably near Orvieto, around the half of the 4<sup>th<\/sup> century BC.<\/p>\n<div class=\"soliloquy-outer-container soliloquy-carousel\" data-soliloquy-loaded=\"0\"><div aria-live=\"polite\" id=\"soliloquy-container-332\" class=\"soliloquy-container soliloquy-transition-horizontal soliloquy-slide-horizontal  soliloquy-theme-base\" style=\"max-width:1170px;max-height:350px;margin:0 auto 20px;\"><ul id=\"soliloquy-332\" class=\"soliloquy-slider soliloquy-slides soliloquy-wrap soliloquy-clear\"><li aria-hidden=\"true\" class=\"soliloquy-item soliloquy-item-1 soliloquy-id-333 soliloquy-image-slide\" draggable=\"false\" style=\"list-style:none;\"><a href=\"https:\/\/cortonamaec.org\/wp-content\/uploads\/2018\/02\/01.jpg\" class=\"soliloquy-link\" title=\"Il Lampadario Etrusco - particolare\"><img decoding=\"async\" id=\"soliloquy-image-333\" class=\"soliloquy-image soliloquy-image-1\" src=\"https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/02\/01-350x350_c.jpg\" alt=\"Il Lampadario Etrusco - particolare\"><\/a><\/li><li aria-hidden=\"true\" class=\"soliloquy-item soliloquy-item-2 soliloquy-id-334 soliloquy-image-slide\" draggable=\"false\" style=\"list-style:none;\"><a href=\"https:\/\/cortonamaec.org\/wp-content\/uploads\/2018\/02\/02.jpg\" class=\"soliloquy-link\" title=\"Il Lampadario Etrusco - particolare\"><img decoding=\"async\" id=\"soliloquy-image-334\" class=\"soliloquy-image soliloquy-image-2\" src=\"https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/02\/02-350x350_c.jpg\" alt=\"Il Lampadario Etrusco - particolare\"><\/a><\/li><li aria-hidden=\"true\" class=\"soliloquy-item soliloquy-item-3 soliloquy-id-335 soliloquy-image-slide\" draggable=\"false\" style=\"list-style:none;\"><a href=\"https:\/\/cortonamaec.org\/wp-content\/uploads\/2018\/02\/03.jpg\" class=\"soliloquy-link\" title=\"Il Lampadario Etrusco - particolare\"><img decoding=\"async\" id=\"soliloquy-image-335\" class=\"soliloquy-image soliloquy-image-3\" src=\"https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/02\/03-350x350_c.jpg\" alt=\"Il Lampadario Etrusco - particolare\"><\/a><\/li><\/ul><\/div><noscript><style type=\"text\/css\" scoped>#soliloquy-container-332{opacity:1}#soliloquy-container-332 li > .soliloquy-caption{display:none}#soliloquy-container-332 li:first-child > .soliloquy-caption{display:block}<\/style><div class=\"soliloquy-no-js\" style=\"display:none;visibility:hidden;height:0;line-height:0;opacity:0;\"><img decoding=\"async\" class=\"soliloquy-image soliloquy-no-js-image\" src=\"https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/02\/01.jpg\" alt=\"Il Lampadario Etrusco - particolare\"><img decoding=\"async\" class=\"soliloquy-image soliloquy-no-js-image\" src=\"https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/02\/02.jpg\" alt=\"Il Lampadario Etrusco - particolare\"><img decoding=\"async\" class=\"soliloquy-image soliloquy-no-js-image\" src=\"https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/02\/03.jpg\" alt=\"Il Lampadario Etrusco - particolare\"><\/div><\/noscript><\/div>\n<div class=\"clearfix\"><\/div>\n<h2><em style=\"font-size: 15px;\">Second quarter of the 6<\/em><em style=\"font-size: 15px;\"><sup>th <\/sup><\/em><em style=\"font-size: 15px;\">century BC<\/em><\/h2>\n<h1>Gold <em>fibula<\/em><\/h1>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-341 alignright\" src=\"https:\/\/cortonamaec.org\/wp-content\/uploads\/2018\/02\/fibula-simone-300x102.jpg\" alt=\"Fibula in oro\" width=\"300\" height=\"102\" srcset=\"https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/02\/fibula-simone-300x102.jpg 300w, https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/02\/fibula-simone-768x260.jpg 768w, https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/02\/fibula-simone-1024x347.jpg 1024w, https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/02\/fibula-simone.jpg 1600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>This gold arched- <em>fibula<\/em>\u00a0 depicting a crouching panter, first escaped the attention of ancient plunderers and may be dated to the 2nd quarter of the 6th century BC.<\/p>\n<div class=\"clearfix\"><\/div>\n<p><a href=\"https:\/\/cortonamaec.org\/wp-content\/uploads\/2017\/12\/biscione18-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-265 alignleft\" src=\"https:\/\/cortonamaec.org\/wp-content\/uploads\/2017\/12\/biscione18-1-300x300.jpg\" alt=\"Tondo di Luca Signorelli\" width=\"300\" height=\"300\" srcset=\"https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2017\/12\/biscione18-1-300x300.jpg 300w, https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2017\/12\/biscione18-1-150x150.jpg 150w, https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2017\/12\/biscione18-1-768x768.jpg 768w, https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2017\/12\/biscione18-1-1024x1024.jpg 1024w, https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2017\/12\/biscione18-1.jpg 1600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<h2><em style=\"font-size: 15px;\">End of the 15<\/em><em style=\"font-size: 15px;\"><sup>th <\/sup><\/em><em style=\"font-size: 15px;\">century<\/em><\/h2>\n<h1><em>Tondo<\/em> by Luca Signorelli<\/h1>\n<p>The painting was originally attributed to Francesco Signorelli, Luca\u2019s nephew but recently attributed to the <em>Maestro<\/em> himself (Luca Signorelli, 1453-1523).<\/p>\n<p>The Tondo depicts the Virgin with the Child and Saints Michael, Vincent, Margaret and Mark; the latter holds a model of the town of Cortona.<\/p>\n<div class=\"clearfix\"><\/div>\n<p><a href=\"https:\/\/cortonamaec.org\/wp-content\/uploads\/2017\/12\/musa.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-90 alignright\" src=\"https:\/\/cortonamaec.org\/wp-content\/uploads\/2017\/12\/musa-300x300.jpg\" alt=\"Musa Polimnia\" width=\"300\" height=\"300\" srcset=\"https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2017\/12\/musa-300x300.jpg 300w, https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2017\/12\/musa-150x150.jpg 150w, https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2017\/12\/musa-768x768.jpg 768w, https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2017\/12\/musa-1024x1024.jpg 1024w, https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2017\/12\/musa.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<h2><em style=\"font-size: 15px;\">16<\/em><em style=\"font-size: 15px;\"><sup>th <\/sup><\/em><em style=\"font-size: 15px;\">or <\/em><em style=\"font-size: 15px;\">18<\/em><em style=\"font-size: 15px;\"><sup>th<\/sup><\/em><em style=\"font-size: 15px;\">\u00a0century<\/em><\/h2>\n<h1>Musa Polimnia<\/h1>\n<p>Is one of the symbols of the <em>Accademia Etrusca<\/em>; donated by Luisa Bartolozzi Tommasi in 1851. It is an encaustic painting slab of slate, made according to ancient tradition schemes and dated in the <em style=\"font-size: 15px;\">16<\/em><em style=\"font-size: 15px;\"><sup>th <\/sup><\/em><em style=\"font-size: 15px;\">or <\/em><em style=\"font-size: 15px;\">18<\/em><em style=\"font-size: 15px;\"><sup>th <\/sup><\/em>century.<\/p>\n<div class=\"clearfix\"><\/div>\n<div><\/div>\n<p><a href=\"https:\/\/cortonamaec.org\/wp-content\/uploads\/2017\/12\/trittico.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-95 alignleft\" src=\"https:\/\/cortonamaec.org\/wp-content\/uploads\/2017\/12\/trittico-300x237.jpg\" alt=\"Trittico con Madonna con Bambino e Santi\" width=\"300\" height=\"237\" srcset=\"https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2017\/12\/trittico-300x237.jpg 300w, https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2017\/12\/trittico-768x607.jpg 768w, https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2017\/12\/trittico-1024x810.jpg 1024w, https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2017\/12\/trittico.jpg 1600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<h2><em style=\"font-size: 15px;\">1425-1430<\/em><\/h2>\n<h1>Triptych depicting Virgin with Child and Saints<\/h1>\n<p>Tempera and gold on panel it was part of the Tommasi Baldelli collection acquired by the Accademia in 1933; the triptych was probably made of more structural elements, by Bicci di Lorenzo, Florentine painter (1373-1452), datable between 1425 and 1430.<\/p>\n<h2><em style=\"font-size: 15px;\">1756<\/em><\/h2>\n<h1>Tempietto Ginori<\/h1>\n<p>The Tempietto was donated to the Accademia in 1756 by marquis Carlo Ginori on the occasion of its appointment to <em>lucumo<\/em>. The porcelain temple was manufactured at the Doccia porcelain factory and is an allegory of the Medici succession and the passing under the Lorraine rule; together with 76 medallions with portraits of the Medici family, dominated by the central group depicting Beauty kidnapped by Time, inspired by the celebrated work by Giambologna.<\/p>\n<div class=\"soliloquy-outer-container soliloquy-carousel\" data-soliloquy-loaded=\"0\"><div aria-live=\"polite\" id=\"soliloquy-container-359\" class=\"soliloquy-container soliloquy-transition-horizontal soliloquy-slide-horizontal  soliloquy-theme-base\" style=\"max-width:1170px;max-height:350px;margin:0 auto 20px;\"><ul id=\"soliloquy-359\" class=\"soliloquy-slider soliloquy-slides soliloquy-wrap soliloquy-clear\"><li aria-hidden=\"true\" class=\"soliloquy-item soliloquy-item-1 soliloquy-id-360 soliloquy-image-slide\" draggable=\"false\" style=\"list-style:none;\"><a href=\"https:\/\/cortonamaec.org\/wp-content\/uploads\/2018\/02\/4f1a5498-1.jpg\" class=\"soliloquy-link\" title=\"Tempietto Ginori\"><img decoding=\"async\" id=\"soliloquy-image-360\" class=\"soliloquy-image soliloquy-image-1\" src=\"https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/02\/4f1a5498-1-350x350_c.jpg\" alt=\"Tempietto Ginori\"><\/a><\/li><li aria-hidden=\"true\" class=\"soliloquy-item soliloquy-item-2 soliloquy-id-362 soliloquy-image-slide\" draggable=\"false\" style=\"list-style:none;\"><a href=\"https:\/\/cortonamaec.org\/wp-content\/uploads\/2018\/02\/4f1a5517.jpg\" class=\"soliloquy-link\" title=\"Tempietto Ginori\"><img decoding=\"async\" id=\"soliloquy-image-362\" class=\"soliloquy-image soliloquy-image-2\" src=\"https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/02\/4f1a5517-350x350_c.jpg\" alt=\"Tempietto Ginori\"><\/a><\/li><li aria-hidden=\"true\" class=\"soliloquy-item soliloquy-item-3 soliloquy-id-361 soliloquy-image-slide\" draggable=\"false\" style=\"list-style:none;\"><a href=\"https:\/\/cortonamaec.org\/wp-content\/uploads\/2018\/02\/4f1a5502.jpg\" class=\"soliloquy-link\" title=\"Tempietto Ginori\"><img decoding=\"async\" id=\"soliloquy-image-361\" class=\"soliloquy-image soliloquy-image-3\" src=\"https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/02\/4f1a5502-350x350_c.jpg\" alt=\"Tempietto Ginori\"><\/a><\/li><\/ul><\/div><noscript><style type=\"text\/css\" scoped>#soliloquy-container-359{opacity:1}#soliloquy-container-359 li > .soliloquy-caption{display:none}#soliloquy-container-359 li:first-child > .soliloquy-caption{display:block}<\/style><div class=\"soliloquy-no-js\" style=\"display:none;visibility:hidden;height:0;line-height:0;opacity:0;\"><img decoding=\"async\" class=\"soliloquy-image soliloquy-no-js-image\" src=\"https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/02\/4f1a5498-1.jpg\" alt=\"Tempietto Ginori\"><img decoding=\"async\" class=\"soliloquy-image soliloquy-no-js-image\" src=\"https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/02\/4f1a5517.jpg\" alt=\"Tempietto Ginori\"><img decoding=\"async\" class=\"soliloquy-image soliloquy-no-js-image\" src=\"https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/02\/4f1a5502.jpg\" alt=\"Tempietto Ginori\"><\/div><\/noscript><\/div>\n<div class=\"clearfix\"><\/div>\n<h2><em style=\"font-size: 15px;\">Second half of the 6<\/em><em style=\"font-size: 15px;\"><sup>th <\/sup><\/em><em style=\"font-size: 15px;\">century BC<\/em><\/h2>\n<h1>Tufa funeral bed<\/h1>\n<p><a href=\"https:\/\/cortonamaec.org\/wp-content\/uploads\/2018\/02\/camucia-17.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-343 size-medium alignleft\" src=\"https:\/\/cortonamaec.org\/wp-content\/uploads\/2018\/02\/camucia-17-300x82.jpg\" alt=\"Letto funebre in tufo\" width=\"300\" height=\"82\" srcset=\"https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/02\/camucia-17-300x82.jpg 300w, https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/02\/camucia-17-768x211.jpg 768w, https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/02\/camucia-17-1024x281.jpg 1024w, https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/02\/camucia-17.jpg 1600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>The bed consists of three juxtaposed tufa blocks resting on shaped feet; its front portion has a low-relief decoration depicting a scene of mourning; the decoration shows eight kneeling female figures: the two in the centre cover their face.<\/p>\n<p>It was found in tomb A of the Fran\u00e7ois tomb in Camucia.<\/p>\n<p>\u00a0<\/p>\n<div class=\"clearfix\"><\/div>\n<p><a href=\"https:\/\/cortonamaec.org\/wp-content\/uploads\/2018\/01\/barchetta.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-318 alignright\" src=\"https:\/\/cortonamaec.org\/wp-content\/uploads\/2018\/01\/barchetta-300x289.jpg\" alt=\"Barca funeraria Egizia | MAEC\" width=\"300\" height=\"289\" srcset=\"https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/01\/barchetta-300x289.jpg 300w, https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/01\/barchetta-768x741.jpg 768w, https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/01\/barchetta-1024x987.jpg 1024w, https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/01\/barchetta.jpg 1594w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<h2><em style=\"font-size: 15px;\">Middle Kingdom (about 2060-1785\u00a0 BC)<\/em><\/h2>\n<h1>Egyptian wooden funeral boat<\/h1>\n<p>The boat provides a depiction of the deceased going with a scribe and other assistants to check his property and receiving an accurate report of it; used to be laid in the tomb together with other grave-goods.<\/p>\n<div class=\"clearfix\"><\/div>\n<p><a href=\"https:\/\/cortonamaec.org\/wp-content\/uploads\/2018\/02\/selvans.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-351\" src=\"https:\/\/cortonamaec.org\/wp-content\/uploads\/2018\/02\/selvans-132x300.jpg\" alt=\"Statuetta di Selvans in bronzo\" width=\"132\" height=\"300\" srcset=\"https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/02\/selvans-132x300.jpg 132w, https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/02\/selvans-449x1024.jpg 449w, https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/02\/selvans.jpg 702w\" sizes=\"auto, (max-width: 132px) 100vw, 132px\" \/><\/a><\/p>\n<h2><em style=\"font-size: 15px;\">First half of the <\/em><em style=\"font-size: 15px;\">3<sup>rd <\/sup><\/em><em style=\"font-size: 15px;\">century BC <\/em><em style=\"font-size: 15px;\"><sup>\u00a0<\/sup><\/em><\/h2>\n<h1>Bronze statuette of <em>\u015belvan\u015b<\/em><\/h1>\n<p>Bronze statuette <em>\u015belvan\u015b, <\/em>is a naked male figure with a feral skin on his head, <em>torques<\/em> on the neck<\/p>\n<p>The right hand La mano destra \u00e8 appoggiata sul fianco della gamba corrispondente, tesa, mentre il braccio sinistro, disteso, doveva tenere in mano un attributo perduto e di incerta ricostruzione. Sulla coscia sinistra \u00e8 incisa, su quattro righe, l\u2019iscrizione v<em>. cvinti arn tias selan sl tez alpan turce<\/em>.<br>\nRitrovata presso la porta Bifora a Cortona.<\/p>\n<div class=\"clearfix\"><\/div>\n<p><a href=\"https:\/\/cortonamaec.org\/wp-content\/uploads\/2018\/02\/culsans.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-350 alignright\" src=\"https:\/\/cortonamaec.org\/wp-content\/uploads\/2018\/02\/culsans-166x300.jpg\" alt=\"Statuetta di Culsans in bronzo\" width=\"166\" height=\"300\" srcset=\"https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/02\/culsans-166x300.jpg 166w, https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/02\/culsans-768x1390.jpg 768w, https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/02\/culsans-566x1024.jpg 566w, https:\/\/archivio.cortonamaec.org\/wp-content\/uploads\/2018\/02\/culsans.jpg 884w\" sizes=\"auto, (max-width: 166px) 100vw, 166px\" \/><\/a><\/p>\n<h2><em style=\"font-size: 15px;\">First half of the <\/em><em style=\"font-size: 15px;\">3<sup>rd <\/sup><\/em><em style=\"font-size: 15px;\">century BC <\/em><em style=\"font-size: 15px;\"><sup>\u00a0<\/sup><\/em><\/h2>\n<h1>Bronze statuette of<em> cul\u015ban\u015b<\/em><\/h1>\n<p>Bronze statuette <em>\u015belvan\u015b, <\/em>is a naked double-faced male figure with a feral skin on his head, <em>torques<\/em> on the neck e endromidi. La mano sinistra \u00e8 appoggiata sul fianco in atto di riposo, mentre il braccio destro, a cui corrisponde la gamba tesa e portante, \u00e8 disteso in avanti, con il punto semichiuso a reggere un attributo perduto (forse una chiave o un chiavistello).<\/p>\n<p>Sulla coscia sinistra \u00e8 incisa, su tre righe, l\u2019iscrizione etrusca <em>v. cvinti arnt ias culsansl alpan turce<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Explore our most popular masterpieces HIGHLIGHTS FROM THE COLLECTION This page presents a selection of symbols\u00a0that are most representative of the Museum, our must sees. Open the icons below to see the images of our most popular masterpieces, useful to understand the MAEC Museum and the variety of objects kept at the Museum. 3rd \u2013 [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":2650,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"accademia_id":0,"footnotes":""},"class_list":["post-2658","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Le principali opere conservate al MAEC di Cortona, i pezzi pregiati del Museo<\/title>\n<meta name=\"description\" content=\"Il MAEC costituisce una realt\u00e0 unica nel panorama italiano, una collezione che riunisce i materiali rinvenuti a Cortona dall&#039;Ottocento ad nostri.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" 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